“Venice Architecture Biennale,” The Point Magazine, 2023
“Norman Mailer’s Ripe Garbage,” The Baffler, 2023
“Life in the Fap Lane: Lost in the Funhouse with John Barth,” The Baffler, 2022
“The Ego Clash That Doomed the Dallas Cowboys to Three Decades of Mediocrity,” Texas Monthly, 2022
“Can an Avant-Garde Filmmaker Save Us from the Twenty-First Century?” Spike Art Magazine, 2022
“You Must Change Your Life: A Conversation with Shane Anderson,” Los Angeles Review of Books, 2022
“The Billionaire’s Bard: On the Rationalist Fictions of Neal Stephenson,” The Baffler, 2022
“Discovering a Secret Wonderland of Architecture in Dallas,” New York Times Magazine, 2021
”What Did Dallas Learn from Rediscovering a Suppressed Book?” Los Angeles Review of Books, 2021
“Laurent Binet’s Alternate History of the Novel,” Ploughshares, 2021
“The Case of Janet Lewis,” Ploughshares, 2021
“Brandon Taylor's Uncategorizable Filthy Animals,” Ploughshares, 2021
“There's Something about Mary (McCarthy),” Ploughshares, 2021
“Revisiting Tinker Tailor Soldier Spy,” Ploughshares, 2021
“The Triumphal Boomer Politics of Whit Stillman’s Barcelona (1994),” Los Angeles Review of Books, 2021
“‘What are the conditions of contemplation to exist in an alien planet?’: An Interview with Mauro Javier Cárdenas,” Ploughshares, 2021
“Homeland Elegies and America's Liberal Project,” Ploughshares, 2021
“Is There Life After Meth? On Tracy Daugherty’s ‘Leaving the Gay Place,’” Porter House Review, 2019
“Barbarously Large and Final,” Texas Books in Review, 2019
“Peter Behrens: Zeitloses und Zeitbewegtes,” ARCH+ (scroll down for English), 2017
“Covert Capital,” ARCH+, 2016
“Glen Rose” published by Still Magazine, 2013 (sample here )
“Deposition” adapted for the stage by No Fourth Wall. Performed as “Easywhy,” May 9 – May 12, 2013, at Ballhaus Ost in Berlin